民国时期著名制瓷大师及相关行业名人资料-彩绘瓷

徐仲南(1872—1952),民国时期景德镇著名瓷画家。 他的名字是裴,他的名字是朱里老人,他的名字是七碧山亭。 他是江西南昌人。 年轻时,他进入南昌一家瓷器店当学徒,学习彩瓷,后来名声大噪。 1918年受聘于江西省瓷业公司,赴景德镇管理瓷业艺术。 他结识了王奇等人,后来成为竹山八友之一。 他是八友中年龄最大、寿命最长的。 徐善画松竹,洒脱苍劲,聚散得体,风格独特。 作品名称可以用行书或楷书书写。 与同时期其他名家不同,长款铭文并不多见,以“中南徐野书写”、“朱里老人徐中南”较为常见。 印章要么是“中南”,要么是“旭印”。 其子徐天美也是景德镇著名画家,擅长画动物及人物、花鸟草虫。 1958年被景德镇市政府授予第一批“陶瓷艺术家”称号,在国内外有较大影响。 其孙女徐亚凤是江西省高级工艺美术师、工艺美术大师。 擅长粉彩人物、花鸟、山水。 1975年参与设计毛泽东瓷器“水点桃花”餐具。 1974年10月,被景德镇市政府授予“瓷业世家”称号的24户之一。

邓碧山(1874—1930),民国时期景德镇著名瓷画家。 字皮环,别号铁剑子,别号烟波钓图、小溪钓图。 他的名字叫青创读书楼。 江西余干人。 清末学者,竹山八友之一。 邓氏擅长粉彩鱼藻,深受日本写实绘画影响。 大部分作品不画涟漪,而是用水草和鱼来捕捉碧波的神韵。 笔法细腻、飘逸、层次丰富。 他也擅长数字。 据说,邓氏是景德镇第一个使用九方格画的人。 王琪早期的瓷雕技艺就是由他传授的。 遗憾的是,他的作品流传于世的寥寥无几。 邓小平出身书香门第,书法功底深厚。 王琪曾拜邓小平为弟子学习书法。 邓在景德镇瓷画家中颇受尊敬。 邓氏作品上常见题有“铁肩邓碧山竹山宾馆画”、“铁肩邓碧山画”、“铁肩碧山”等字样。 印文有“灯石”、“碧山”及别号“烟波钓图”、“小溪钓图”等。 邓的画艺得以传承,其子邓庆莲得知了真实的故事。 工人物,工山水、花鸟、鱼藻。 孙子邓小玉13岁(1933年)到江西瓷业公司学艺,画粉彩花鸟、鱼。 赵无极从事艺术六十余年,其作品深受收藏家喜爱。 曾孙女邓艾英擅长花鸟,曾孙邓学贤自幼随父亲萧宇学习艺术。 在毕渊明等名家指导下,画粉彩花鸟、鱼藻、走兽等。 邓氏家族四代都从事艺术,在景德镇颇有影响力。 1994年10月,景德镇市政府授予他“邓艾英家属”称号。

何旭人(1882—1940),民国时期景德镇著名瓷画家。 他的名字是德达。 他的原名是楚。 他的名字取自陶潜《五六先生传》:“先生不知何绪人”。 他改名何旭人。 他是安徽南陵人。 年轻时曾到景德镇学习青花,后改学粉彩。 民国初年,他到北京学习仿古瓷器,看到故宫收藏的历代名画,技艺大有提高。 他擅长雪景,其布局继承了宋代的风格,也具有明代宫廷绘画的风格。 其笔法受清初王石鼓山水影响,笔法精练、严谨。 以墨色勾勒出山峦、房屋的轮廓,周围以粉粉留白。 特别是画面中出现了几种暖色调,如窗棂的红色、划艇等,不仅赋予了画面一种冷美感,也给冰雪世界注入了一丝春天的气息。 。 擅长微书法,书法功力不凡。 其作品题款俗称“徐人画宜浦何处”、“徐人画何处”、“徐人画阳谷何处、徐人画宜浦何处”等常见。 印文多为“徐仁”、“何地”、“徐仁出品”等。何氏的作品流传至今的并不多。虽然他的后人对景德镇瓷业影响不大,但最著名的是他的作品。弟子于文祥得到了一切真实信息,他所画的雪景晶莹剔透,宛如冰雪童话世界。

1958年被市政府授予“陶瓷艺术家”称号。于氏的女儿于惠光、孙玉刚、孙女于艳春、孙女王英均受教。 特别是于惠光的作品《雪景瓶》被作为国礼送白宫收藏。 1994年,景德镇市政府授予他“于惠光世家”称号,使何士仁的雪景世家得以代代相传。

王琪(1884—1937),民国时期景德镇著名瓷画家。 名碧真,别号淘米道士、淘米三人,字淘米斋,江西新建人,竹山八友之一。 17岁那年,他到景德镇做面条谋生。 后师从邓碧珊,专攻肖像画。 肖像画因其强大的造型能力而深受各行各业的喜爱。 1916年,浮梁县知事程安为王琪画室题写了“神技”匾额,使王琪名声大噪。 1916年后,他与王大凡到上海观赏著名艺术家的原作,开阔了眼界。 他改学清代乾隆年间扬州八怪之一黄慎的画风,以大写意的人物和长草题在景德镇艺坛独树一帜。 他的人物画工细,线条简洁概括,抓住了写意人物画的精髓。 八位好友中,他的成就最高,影响力最大。 王琪早期作品大多没有铭文,只有印章。 中年以后写的作品题名较长,最常见的草书是“西昌点米道(三)作点点寨客山竹山”。 书法有流畅、有颤抖、有独特的韵味。 与王羲之、怀素的书法风格颇为相似。 其印有“西昌王旗”、“桃米”、“碧珍”等。

王野亭(1884—1942),民国时期景德镇著名瓷画家。 他的名字叫平、元一、传芳居士。 他的生名是平山草堂。 江西乐平人,竹山八友之一。 1906年入江西省立陶瓷学校,师从张孝庚、潘殿宇学习花鸟,后改学山水。 早期作品多为程门派淡绛山水,后来多为粉彩山水,即以钴蓝色作山水,填以大片绿色、水绿色或雪白色,别具一格。 构图多取材于清初四王的作品。 笔法粗犷与柔和并存。 前者寥寥数笔就能抓住大意,后者则笔法犀利、犀利、柔和。 王先生是一位多产的画家。 他早期的画作细腻、平和,后期的画则趋于奔放。 王氏碑刻变化较多,有“野亭王平”、“传芳居士王野亭”、“竹山客慈画野亭王平”、“竹山客画竹山野亭王平”等短小的。 “二”型长款。 早期的书法工细细腻,中后期的书法苍劲丰润。 常用印章有“王平业亭”、“平升”、“王平”、“老平”、“业亭”、“平印”、“王”等。王氏家族四代人均从事印章工作。画瓷器。 长子王小亭擅长粉彩山水。 其笔法细腻,构图稀疏,与父亲略有不同。 次子王少平亦擅粉彩山水、水墨山水,承父业。女王桂英,高级工艺美术师,擅长雍正彩、粉彩、青花、琉璃装饰。 。 曾参加过国瓷、毛泽东瓷。

等设计,其孙子曾亮、曾军均从事陶瓷研究。 1994年,景德镇市政府授予王桂英“陶瓷世家”称号。

王晓棠(1885—1924)是民国初年景德镇著名瓷画家。 他的名字叫荻华,绰号龙山樵夫,生名“通云山房”。 江西婺源人,景德镇新粉彩画派创始人之一。 年轻时在杭州以画纸丝团、折扇为生。 后来避祸到景德镇自学瓷器。 由于其高超的造型能力和书法功底,其瓷画名誉景德镇多年。 后被列为竹山八友之一的王大凡,早年也曾师从他学艺。 王善画人物,尤以娇媚仕女着称。 人物刻画细致,线条柔和流畅。 王氏才华横溢,可惜英年早逝,传世作品甚少。 王氏作品很少有长标题,印章有“小堂”、“王氏”、“地印”等。

毕伯涛(1885-1961)是民国时期景德镇著名瓷画家。 他名声大噪,绰号“黄山樵夫”。 祖籍安徽歙县,现居鄱阳。 竹山八友之一。 毕是清末学者。 早年师从鄱阳画家张云山。 后居景德镇,专工粉彩,擅翎毛花卉。 毕氏花鸟画继承了清代花曲派,以双钩、无骨画为主。 既可工笔,也可写意。 工笔尤胜于写意,笔法极其细致。 色彩清新不油腻,淡雅、静谧、绚丽。 作品的铭文较为常见,如“伯涛写竹山”、“毕伯涛写竹山”、“古佘毕伯涛画”等,篆书多为“伯涛”篆书。 毕氏家族出身书香门第。 善诗书,书法遒劲飘逸。 毕氏之子毕元明自幼承袭家学,善画虎,有“毕虎”之美誉。 其孙女毕德芳擅长粉彩动物,是高级工艺美术师。 1994年10月,被景德镇市政府授予“陶瓷世家”称号。

王大凡(1886—1961),民国时期景德镇著名瓷画家。 字西平居士,又名夷山樵夫,生名“西平草庐”。 安徽黟县人,竹山八友之一。 早年师从王晓棠,其粉彩仕女形象深受王晓棠影响。 后受航海画派马涛影响,形成严谨的画风。 王的粉彩人物第一次不使用玻璃白作为基底。 他们直接将原料涂在瓷胎上,再覆盖上雪白色和水绿色,然后烧制。 由于不需要渲染,景真仍称其为“地板色”。 其作品荣获1915年巴拿马万国博览会特等奖。 王大凡作品上最常见的铭文有“宜山王大凡作画于西平草堂(工作室)”、“宜山樵夫王大凡作于长江西平草堂”等。 又见《宜山王大凡画集》。 、《西平居士游长江》等。 印文有“大凡”、“王”等红色篆书。 王大凡因其高超的绘画技巧和长寿,在景德镇影响很大。 其子王小凡也是陶瓷艺术家,首创“陶瓷粉彩贴花”,填补了陶瓷制作的空白。 其孙王怀军是江西省工艺美术大师,专攻人物、山水、花鸟。曾孙王毅、曾孙王英均从事陶瓷研究与创作。

做。 其侄子王锡良是中国工艺美术大师(下文专章介绍)。 1994年10月,景德镇市政府授予王怀军“陶瓷世家”称号。 王大凡的弟子李进是中国工艺美术大师。

潘桃玉(18877—1926),民国初年景德镇著名瓷画家。 字定君,号丹湖外史,字古寰,江西鄱阳人。 他是景德镇新粉彩画的创始人之一。 潘桃玉长期居住在鄱阳。 1911年后,任江西省甲级工业窑校国画教师。 教学之余,他经常前往景德镇画彩瓷。 其作品笔法优美,山水、人物、花鸟精美。 1923年为军阀曹锟画书房用具。 作品曾参加美国芝加哥、费城博览会并获奖。 由于潘英年早逝,他的作品没有流传下来。 其作品常见于《古寰斋祝殿玉画》、《陶玉》等。 潘虽然与竹山八友年纪相仿,但成名较早。 他的朋友中,王野亭、程逸亭、刘雨岑等人都是出自他的门下。 潘氏父亲潘次山亦善画。 其弟潘学明是清末学者。 其侄子潘永兵自幼跟随他学习艺术。 1954年任陶瓷研究所所长、中国美术家协会理事、省美术家协会副主席、市美术家。 曾担任协会主席等职务,并曾主持人民大会堂特种瓷的设计。 1958年被景德镇市政府授予第一批“陶瓷艺术家”称号。 其侄孙潘文金(潘永丙子)是高级工程师,从事陶瓷工作近50年。 主要负责中央领导人参观、展览瓷器礼品的制作。 1994年10月被市政府授予“陶瓷世家”称号。

刘仲卿(1889—1969),景德镇著名瓷画家,字西祖,江西省莲塘县人。 1902年进入景德镇彩瓷店于广发学习粉彩画。 余广发是当时景德镇最大的彩瓷店之一,拥有百余名彩瓷工匠。 20世纪30年代,刘经商。 20世纪40年代,他回到景德镇,画彩瓷。 建国后裔曾在轻工业部陶瓷研究所从事画瓷工作。 擅长工笔粉彩,线条纤细流畅,笔法工整精准,色彩淡雅清新。 他的效果图多采用小点来形成明暗对比,使画面极其生动。 时人称他具有雍正粉彩的精髓。

张志堂(1893-1971),本名一涛,江西婺源人。 他是与河口同时成名的景德镇彩瓷名家。 1901年来到景德镇,在玉里清红店学习粉彩。 后受大官袁秋芳聘用,到南昌画彩瓷。 他看到了宋元绘画的柯版印刷结晶,技术大为提高。 早期作品多参考宋元绘画,笔法工细,构图严谨。 1935年入浮梁陶瓷职业学校任教。 1945年后,先后任教于江西省立陶瓷学院、景德镇陶瓷学院。 传世作品多为1937年至1944年间创作的山水瓷板。20世纪40年代所画的郎世宁风格的马,因其形象逼真、姿态生动,深受商人喜爱。 晚年偶尔画粉彩花卉小品,极为精美。

田和贤(1894—1952)是民国时期景德镇著名瓷画家。 原名石清,后改名清,名黄源老梅。 他是梅花大师,他的工作室被命名为固始斋。 浙江绍兴人,竹山八友之一。 民国初年,在景德镇税务局工作,后在江西瓷业公司任夜校教师。 后学瓷画,先画山水,后画梅花。 每幅画的寓意都新颖,他喜欢用对角线来构图,不落俗套。 古代传世作品多以梅花为题材。 因为他是浙江绍兴人,所以他的很多碑刻都带有古越的样子。 常用的有“和弦”、“天音”。

程一亭(1895—1948),民国时期景德镇著名瓷画家。 其字体为“福”,名“珠山巧子”,名“培古斋”。 江西乐平人,竹山八友之一。 1911年,来到鄱阳江西陶艺学校,师从张孝庚学习山水、花鸟。 后赴上海,师从著名海派画家程耀升学习花鸟,画艺大有提高。 程先生早年在九江朴方居瓷铺画瓷。 1920年,他在景德镇开设彩瓷店,绘制彩瓷。 1940年前后,在浮梁陶瓷职业学校任教。 抗战时期,回到乐平,以卖画为生,直至病逝。 程先生一生勤勉,留下了丰富的作品。 他去世后,他的卧室里还保留着大量等待绘画的白瓷板和宣纸画。 可惜年未过,他的志向还没有实现。 程氏作品以色彩淡雅、造型逼真、笔法精湛而著称。 最常见的碑文有“竹山程一亭”、“竹山樵夫程一亭”。 印文有“程印”、“程氏”、“一亭”。 等待。

方云峰(1897-1957),字佩霞,又名西华玄珠,江西浮梁人。 他是与珠山八友同时成名的景德镇彩瓷名家。 早年在浙江省龙泉瓷厂担任绘画技师。 后就读于杭州浙江中华艺术学院中国画系,先后任教于江西省陶瓷学校、浮梁陶瓷职业学校。方善画粉彩仕女,笔法细腻细腻,但不死板的。 具有清代甲岛时期海派画家王小梅的风格。 他中晚年多画猫。

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王步(1898—1968),字任远,号竹溪道士,晚年号陶清老人。 他的名字叫元文武智斋。 江西丰城人。 他是与珠山八友齐名的景德镇彩瓷名家。 王步9岁来到景德镇学习青花画,1920年后受王琪影响学习国画,兼习书法,画青花山水、人物、花鸟。技术。 他的文笔遒劲有力,有一种苍老苍劲的气息。 他晚年制作的大片青花荷叶,由浓到淡一笔染成,看不出任何笔痕。 犹如大师泼墨,故有“青花王”之称。 他的作品被收藏家视为珍品。 王卜的作品署名“王卜”、“凤城长湖大师”、“竹溪道人”等,也有不少作品没有署名。 常用印章有“王卜”、“竹溪”、“长湖”、“湖”等。王卜家族四代从事陶瓷绘画,代理过名人。其父亲是青花大师。清代同光年间绘画,长子王生怀、次子王锡怀均从事陶瓷绘画,专攻青花,在景德镇颇有名气,是当代著名的瓷画家。儿子王恩怀是中国工艺美术大师,自幼随父习艺,又师从竹山八友之一刘雨岑,擅长粉彩花鸟、新彩王恩怀有儿子王庆平、王庆,儿媳妇徐

国勤、李岩及其侄子王华(王锡槐之子)均从事陶瓷绘画,发表了许多优秀作品。 1994年,景德镇市政府授予王恩怀“陶瓷世家”称号。

张培轩(约1900—1950)民国时期景德镇著名瓷画家,江西余干人。 20年代,跟随邓碧山学习画渔藻。 他是邓氏家族的弟子。 他的作品风格与他的大师非常相似。 1949年后,他回到于前,默默无闻。 张画的游鱼也没有波纹,鱼鳍和尾巴的变化代表着绿色的池塘。 大部分图画配诗,书法优美。

潘永丙(1900—1961),江西省鄱阳县人,著名画家潘殿宇的侄子。 1917年后,任教于江西陶瓷职业学校。 1925年到北京任瓷画技师。 潘先生擅长画花鸟、山水,其作品在20世纪30年代已享有盛誉。

王大仓(1901-1953),民国时期景德镇著名瓷画家。 他的小名一苏,又名桃源老农。 安徽黟县人。 他继珠山八友之后成名,并于20世纪40年代名扬景德镇。 王先生早年毕业于浮梁一中工业窑学校。 师从名师潘桃玉,后又师从毕伯涛学诗。 他的代表作大多用裸笔描绘风景。 用笔简洁沉稳,有豪放雄健的气息,体字前加“一山”二字。 印章有“王易素”、“大藏”等。

卢云山(1901-1974),景德镇著名瓷画家,江西丰城人。 20世纪40年代成名。 1910年,随兄卢银山到天津玉丰瓷业公司当学徒。 1915年至1932年在唐山、上海、九江画瓷。 1937年后定居景德镇。 中华人民共和国成立后,先后在陶瓷研究所、艺术瓷厂工作。 卢氏擅长花鸟,将粉彩与新彩、圆笔与扁笔、指画技法相结合,丰富了瓷画的表现力。 在景德镇艺术界被誉为“八小名家”之一。 卢氏之子卢儒自幼继承家学,后成为中国著名画家徐林禄的弟子。 擅长中国花鸟画及陶瓷釉上彩综合装饰。 其精品晶体被日本等国及中华工艺美术博物馆收藏。 陆汝子、陆涛也从事陶瓷装饰画。 1994年,鲁茹被市政府授予“陶瓷世家”称号。

于汉卿(1902-1987),景德镇著名瓷画家。 因艾磨山人、传芳居士、清平画室老板、江西乐平人而闻名。 成名稍晚于竹山八友。 于涵19岁时在景德镇学习陶瓷并从事绘画创作。 建国后裔,任教于景德镇陶瓷学院美术系。 余先生寿命较长,从事陶瓷艺术和国画创作60余年。 擅长粉彩花鸟,构图简洁,设色淡雅,神韵有趣。

刘雨岑(1904—1969),景德镇著名瓷画家。 他原名玉成,后来改名玉岑,又改名玉成。 他的名字叫觉安,小名丹胡玉。 安徽太平人,居鄱阳。 竹山八友之一。 刘15岁时就读于饶州江西省二级工业学校装饰瓷系,是著名彩瓷大师潘雄宇的弟子。 1922年来到景德镇画彩瓷。 他擅长花鸟,创造了水点桃花技法,对粉彩艺术产生了很大影响。 作品形象生动,色彩鲜活,但传世作品不多。 碑文可能是“渔城”,也可能是“丹湖渔夫刘雨岑撰”,也可能是一个很长的题名。 碑文有“雨岑”、“平石”、“朱”、“人”等。刘雨岑的儿子刘平是江西省工艺美术大师。 1975年,他成功设计出著名的“7501水点桃花”餐具,名扬海内外。 孙儿媳心怡擅长陶艺和综合装饰,作品多次获奖。 1994年,刘萍被景德镇市政府授予“陶瓷世家”称号。

刘希仁(1906-1967),著名瓷画家,江西南昌人。 他的名字有载思轩、永华堂。 20世纪30年代末,他在南昌声名鹊起,成为南昌彩瓷艺术家中的领军人物。 他的价格并不比景德镇著名艺术家的价格低。 早期作品多被《丽泽轩》、《新中国》收购。 20世纪40年代末,他在南昌开设中南瓷器店,生产和销售自己的产品。 1957年后,他为当地一家物产公司画瓷器。 刘善人物,受王启影响较大,笔法饱含心性。晚年多画花卉。

鸟类和雪景。 大多数作品都有很长的标题。 印文有“南昌刘”、“袭人”、“刘袭人画”等。

毕元明(1907-1990),景德镇著名瓷画家,安徽省歙县人,毕伯涛之子。 1921年入江西瓷业公司学画。 善画虎,人称“碧虎虎”。 其画虎瓷盘受到收藏家的重视,视为珍品。 石焕英(1908-1968),安徽黟县人。 擅长画鱼,被誉为“鱼狂”。 The fish he paints, whether on paper or on porcelain, all have a sense of contentment.

Zhang Shibao (1909-1987) was a famous porcelain master in Jingdezhen during the Republic of China and a virtuous person in Jiangxi. Specializing in pastel flowers and birds, especially fine ink flowers. The painting style is clear and smooth, and the brushwork is delicate. He became famous in Jingdezhen in the 1940s.

Xu Tianmei (1910-?), a famous porcelain painter in Jingdezhen, was born in Nanchang, Jiangxi Province. He was the son of Xu Zhongnan, one of the Eight Friends of Zhushan. Fine gold and stone, poetry, calligraphy and painting. He especially likes to paint animals, as well as figures, landscapes, flowers and birds. In 1959, he was awarded the title of “Ceramic Artist” by the Jingdezhen Municipal Government.

Wu Kang (1914-,) was born in Jingxian County, Anhui Province. At the age of 13, he studied under Deng Bizhao and learned to paint portraits on porcelain. He studied closely under the “Eight Friends of Zhushan” Wang Qi and other famous painters from ancient and modern times at home and abroad, and the portraits he painted are lifelike. When he was 16 years old, he successfully trial-produced colored porcelain plate portraits for the first time and artificial negatives to sun-flower porcelain images. and pastel porcelain statues, etc., opening up more expression forms for the art of porcelain statues. His works are rich in tones, with soft and natural transitions. Regardless of whether they are single-color or colorful porcelain statues, the tones can be rich and varied, and the colors can be used freely.

Zhang Jian (1917-), courtesy name Tiwu, was born in Jinxian, Jiangxi Province. He was good at painting porcelain statues, as well as flowers and birds and other ceramic decorations. At the age of 16, under the guidance of Wang Yeting, he entered Fuliang County Ceramics Vocational School to study porcelain decoration. Later, he opened the “Zhangjian Painting Studio” to paint porcelain statues. Due to his superb skills and delicate painting skills, he became famous in Jingdezhen when he was 20 years old. His painting of porcelain statues emphasizes the image of flesh and bone, the combination of form and spirit, and the combination of photography art and painting art. In 1954, he joined the Ceramic Institute to engage in art design work.

Wang Xiliang (1922- ), a native of Yixian County, Anhui Province, is a master of Chinese arts and crafts. He was born in a ceramic family and studied art with his uncle Wang Dafan when he was young. Wang Xiliang became famous earlier. In the early 1940s, he emerged in Jingdezhen. In 1954, he entered the Ceramics Research Institute to engage in ceramic art research, specializing in pastel figures, landscapes, flowers and birds. He has held ceramic masterpiece exhibitions abroad many times, and many of his works are collected by domestic and foreign collection institutions.His son Wang Cai, Queen Xiaofeng and Wang Qiuxia are all engaged in ceramic art creation.

His works have a certain influence in Jingdezhen. In 1994, the municipal government awarded Wang Xiliang the title of “Ceramic Family”.

Zhu Ming (1924-1978) was born in Boyang, Jiangxi. He once painted porcelain at the China Ceramic Society and worked at the Oriental Art School. She has profound artistic skills, and her artistic expression involves many aspects, including illustrations, comics, gouache, watercolor, traditional Chinese painting and ceramic decoration, etc.

Li Mingliang was active in the 1930s, and it can be inferred that he was from southern Anhui Province. His works are mostly grass and insect sketches, with meaningful scenes, fine and vigorous brushwork, a combination of meticulous brushwork and freehand brushwork, and bright and clean colors. He was one of the famous Jingdezhen colored porcelain artists during the Republic of China. Li’s works are recognizable by their style. In addition to the traditional chronology of the stems and branches, there is also the Gregorian calendar.

Wan Yunyan was active from the 1930s to the 1950s. He was a famous porcelain painter in Jingdezhen during the Republic of China. He was also known as Shishan and was born in Nanchang, Jiangxi. In the early 1930s, he painted porcelain for Nanchang Lizexuan. After the Anti-Japanese War, he opened a shop in Jingdezhen to paint colored porcelain. In the 1950s, he was transferred to the Northeast and later died of illness in a porcelain factory in the Northeast. Wan specializes in pastel figures.

Zou Wenhou (?—1951) was born in Nanchang County, Jiangxi Province. In the 1930s, he painted porcelain in Lizexuan, Nanchang. After 1939, he went to Jingdezhen to paint porcelain for several years. He became a famous painter of colored porcelain in Nanchang. Specializing in pastel flowers, grass insects and feathered animals. The brushwork is free and lively, in the style of Ren Bonian.

Wang Xiaoting (? – 1970) is a famous porcelain painter in Jingdezhen. He is the eldest son of Wang Yeting. He is good at pastel landscapes, with delicate brushwork and sparse composition, which is different from Nai’s father’s style. There are also some unknown famous ceramic painters who are listed as follows:

Wang Yunting was a famous porcelain artist in Jingdezhen during the Republic of China and a native of Leping, Jiangxi. He is good at pastel landscapes, with broad composition and thick brushwork, which is quite ancient style.

Wang Shaotang was a famous porcelain artist in Jingdezhen during the Republic of China. He was good at pastel figures. His works have elegant artistic conception and accurate figure modeling.

Xiong Mengting, a famous painter in the late Republic of China, was born in Nanchang, Jiangxi. Flowers and birds are commonly seen in his works, and he is a part-time artist who likes to use ink and color. Most of the works are study utensils.

Xiong Zuoxian was a famous porcelain painter in Jingdezhen in the late Republic of China. He is good at pastel figures, and his painting style is quite similar to that of Wang Qi, one of the Eight Friends of Zhushan. He also likes to use cursive script for inscriptions, but he is not as skilled as Wang Qi.

Xiong Wenrong was a famous porcelain master in Nanchang during the Republic of China. He was good at pastel figures. His style was Huang Shenyi, the Eight Eccentrics of Yangzhou in the Qing Dynasty, and his calligraphy was also written in cursive script.

Xu Shangli was a famous porcelain painter in Jingdezhen in the early years of the Republic of China. He was from Shidai, Anhui Province and was good at painting feathers and flowers.

Zhou Xiaosong, a famous porcelain painter from Jingdezhen in the early years of the Republic of China, was born in Sichuan. He is good at gods, Buddhas and ghosts, and once taught in Jiangxi Provincial Class A Industrial School.

Yu Zaochang was a famous porcelain painter in Jingdezhen in the early years of the Republic of China, and was a native of Anhui. Good at pastel color matching and good at filling colors.

Wang Dongrong was a famous porcelain painter in Jingdezhen in the early years of the Republic of China, and was a native of Xiuning, Anhui. He first imitated antique colors and later became famous for his fine brushwork figures, flowers and birds.

Hu Yanbiao was a famous porcelain painter in Jingdezhen during the Republic of China. He was from Jingdezhen, Jiangxi Province. His imitations of Qianlong enamel porcelain were the most vivid.

Zhang Luoshan was a famous painter of colored porcelain during the Republic of China. He was good at fish and algae, and many of his works were in the style of Deng Bishan.

Cheng Shuijin was a famous porcelain artist in Jingdezhen during the Republic of China. He was good at pastel figures, heavy on the color, and handsome in appearance.

Wei Qingquan was a famous painter of colored porcelain during the Republic of China. He was good at pastel landscapes, and his compositions were in the style of the Song and Yuan Dynasties, with rich colors.

Jin Shaozhai was a famous porcelain painter in Jingdezhen in the early Republic of China. He was good at ladies and landscapes. The ladies have round faces, willow-shaped eyebrows, and are pretty and pretty, inheriting the style of the Daoguang and Xianfeng periods. The landscape is outlined in ink and colored in green, with a calm color.

Shi Yu was a famous porcelain artist in Jingdezhen during the early Republic of China. He was good at pastel flowers and birds. He was known for his fine brushwork, with accurate shapes, delicate and smooth lines, bright colors, and textured feathers.

Ye Xujia was a famous porcelain master in Jingdezhen during the Republic of China. He was good at pastel figures and applied the boneless method in Chinese painting to pastel figures. The folds of clothes were dyed with colored materials instead of line hooks. The figures emphasized light and dark and have a three-dimensional sense. With precise lines and full composition, he is a representative figure of meticulous painting style among pastel figures in Jingdezhen.

Yu Zhuqing was a famous painter of colored porcelain in Jingdezhen during the Republic of China. He was good at pastel landscapes. The mountains and mountains are covered with layers of dye. The distant views are empty and the close shots are realistic. They are very rich in the charm of ink and wash of landscape paintings on paper.

Yu Hejun was a famous porcelain artist in Jingdezhen during the Republic of China. He was good at pastel flowers and birds, and was good at painting lotuses. The lotus leaves were dyed emerald green with the method of splashing ink, and he was also brushed with ink colors. The composition was extremely complex.

Zou Jie, a layman from Longgang, was a famous porcelain painter in Jingdezhen during the Republic of China. Most of his works were pastel green landscapes, similar to Wang Yeting’s painting style, but the layers were not as rich as Wang’s, and his brushwork skills were less sophisticated, but he had a sense of clarity, purity and elegance.

Chen Shanmo, a native of Jinxian, Jiangxi Province, was a famous porcelain artist in Jingdezhen during the Republic of China. He was good at pastel flowers and birds, especially meticulous flowers and birds, with neat brushwork and rich decorative charm.

Duan Zian was a famous porcelain painter in Jingdezhen during the Republic of China. Most of his works were pastel landscapes with comprehensive techniques, including meticulous green landscapes, freehand landscapes, and snowy scenes with bare brushwork. Most of the titles of his works contain poems and prose, and his calligraphy is wild and uninhibited.

Xu Jiazhen was a famous porcelain painter during the Republic of China. He was good at fishing for algae, shrimps and crabs. Unlike Deng Bishan’s fishing for algae, the composition is more complicated. He mostly uses light brushstrokes to outline the ripples of the water and uses richer colors. Study utensils are more common.

Tuzhuzhuang, a native of Nanchang, was engaged in color painting in Jingdezhen before the Anti-Japanese War. During the Anti-Japanese War, he lived in Ji’an and continued to engage in color painting. He specializes in figures, and uses light green and light ocher to cover and dye figures’ clothing. This is a rare figure porcelain plate, and the figures painted have both form and spirit.

Cheng Bingfang, a native of Leping, Jiangxi, was a famous porcelain master in Jingdezhen in the late Republic of China. Specializing in pastel flowers, he also works as a calligrapher, mainly writing, and uses bold and impressive colors.

Cheng Yunnong was born in Shangrao, Jiangxi Province. He graduated from the Shanghai Fine Arts College in the 1940s and went to Jingdezhen to open the Saluo Studio. In the early 1950s, he was transferred to the Shangrao-Ganbei Northeast Daily as an art editor. He is good at pastel flowers, birds and horses, and his technique was influenced by Zhang Zhitang.

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